Blue Monday (Hallelujah edition)

No, I wasn’t at Leonard Cohen’s show at the Beacon. No, I’m not happy about that fact, even though tickets vanished faster than some of the more exotic subatomic particles, and the ones remaining were being scalped at prices that would have appalled a Pentagon contractor, and there was no earthly possibility of getting comped unless you were connected to the people who were connected to the people who were connected to the people. So I missed what was probably my last chance to see the man himself doing his songs, himself.

Oh well. The upside is that while my respect for Leonard Cohen’s songwriting knows no bounds, this respect does not extend very far for his singing. To put it in terms Cohen himself might appreciate: if, when Ophelia threw herself into that body of water, there had been a bullfrog sitting on a lily-pad in that body of water, and if the frog had been inclined to sing a song about what was going on, that bullfrog probably would have sounded exactly like Leonard Cohen. It would have been a great song, no doubt, but still — a bullfrog, you know?

A case in point is “Hallelujah,” performed here by Cohen himself in his usual sing-speak mode:

Now here’s Jeff Buckley’s rapturously beautiful version, my favorite:

Leonard Cohen is God’s gift to singers because the lyrics and the song structures are all in place, just waiting for someone with a voice to complete the picture. Here’s K.D. Lang doing her own version:

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3 thoughts on “Blue Monday (Hallelujah edition)

  1. Scott Stiefel says:

    Funny – replace that frog stuff with “aural equivalent of Limburger cheese” and you have my exact feelings about Bob Dylan.

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