Anthony Burgess once said he would have preferred to be thought of as a musician who wrote novels, rather than a novelist who wrote music on the side. This interview with composer-conductor Paul Phillips includes samples of the late author’s symphonic and choral works, and touches on Burgess’ use of musical structures in his novels: e.g., A Clockwork Orange was patterned on the sonata form. It’s all interesting enough to make me hope Phillips’ book about Burgess and his music, A Clockwork Counterpoint, comes out in a much less pricey format.
What’s a nice waterfront property in Iceland going for these days?
Allison Flood goes forward in time to critique an unreleased and (by her) unread Stephen King novel about going back in time.
For the day after St. Patrick’s Day, a brief animated biography of the man of the hour.
Brian Malow talks about Hollywood’s intensifying love affair with the works of Philip K. Dick. At the risk of sounding repetitious, I still think Christopher Nolan’s Memento is the film that comes closest to capturing PKD’s tone, even if it isn’t based on one of his stories.