Speaking as someone who found the bogus movie trailers to be the most watchable part of Grindhouse, I’m happy to see a full-length Machete flick about to become a reality. I also like the idea of the film taking a few jabs at teabagger fever. If nothing else, it will give Andrew Breitbart something new to froth over — even he must be getting tired of whining about the left-wing messages in Avatar. And won’t William Donohue be thrilled with all the scenes of nuns and priests toting shooting irons? Can’t hardly wait.
Via 3:AM Magazine, a three-part transcript of an interview with John Fante, the cult writer’s cult writer: inspiration to the Beats and Charles Bukowski; author of Ask the Dust, the quintessential prewar Los Angeles novel; creator of the literary alter ego Arturo Baldini. Read part one here, part two here, part three here.
The rise of Cute Cthulhu and what it says about us as a civilization.
“Many years ago, I saw the world through crap-colored glasses, and my writing was quite crappy because of it. These days, however, I look at the world with an almost childlike wonder. I don’t let mainstream reality control what I see or what I don’t see. I live in a semi-haunted Victorian farmhouse, and I believe in ghosts. They believe in me, so it’s only fair . . . I can’t speak for other writers, but my perception of reality is what makes my writing what it is. Whether or not that’s a good thing is up for debate.”
Undercover Black Man interviews gangsta rapper Ice Cube and learns about the perils of singing “Fuck Da Police” in Detroit.
As a Pulitzer-laureled movie critic of many years’ standing, Roger Ebert might be expected to emulate Richard Schickel and other credentialed gasbags blatting about how the Internet has ruined arts criticism. Instead, he states what has long been obvious: When it comes to film criticism (or, I’ll add, any form of arts writing) blogs are where the action is.
There is now an actual Intercollegiate Quidditch Assocation. Who knew?