Tag Archives: fencing

Waterlogged

Am I the only one irritated by the way NBC is covering the Olympic competitions in London? Every time I check in on the TV, I see guys in Speedos snorting chlorine or members of the Little Lolita Leotard League spinning through the air. The scarcity of fencing coverage is my pet peeve, but I’ve heard fans of other sports beefing as well. I’m fine with watching video clips online, but I think the corporate geniuses are missing a trick.

People are interested in watching sports that the U.S. doesn’t dominate, you know, and fencing is awfully cool. Foils, sabres, epees — each weapon has unique qualities and rules, and there’s plenty of tension-and-release drama. Maybe the lightning-fast exchanges confuse the easily confused commentators, whereas swimming meets and beach-blanket volleyball are easy to follow and allow plenty of time for the bloviation that passes for insight with television sports coverage. Maybe somebody should tell the suits that the women in the Italian team could all pass for fashion models, and look rather fetching in their white tunics. I realize I’m grasping at straws here, but I can remember when Olympics coverage wasn’t just USA all the way. C’mon, NBC, throw me a bone. Or better yet, a blade.   

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Friday finds

In which the pioneering rapper talks up a Los Angeles architectural landmark. Learn more about the Eames House here. Some of Ice Cube’s best raps here, here, here, and here. NSFW, unless you work at Death Row Records.

You know you want to hear Flannery O’Connor reading “A Good Man Is Hard to Find.” So what are you waiting for?

Ace thriller writer J.D. Rhoades talks about why he decided to go indie and start publishing new books (and out-of-print backlist titles) as e-books.  His new one, Gallows Pole, will scare the snot out of you.

Madam Mayo, author of The Last Prince of the Mexican Empire, interviews Solveig Eggerz, author of Seal Woman.

When you’re introduced to a fencer, don’t do the squiggly arm thing. Just don’t.

In which Frederik Pohl reminisces about the Battle of the Douchebag, the Battle of the 4-Color Border, and the night spent with Harlan Ellison on Long John Nebel’s talk show.

From Psycho to Casino, from The Man with the Golden Arm to Anatomy of a Murder, it’s a tribute to the title sequences directed by Saul Bass.

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