Tag Archives: Joseph Zitt

The long goodbye

Pal Joey’s new book, 19th Nervous Breakdown: Making Human Connections in the Landscape of Commerce, most of which is based on his experiences working at a store in the expiring Borders chain, gets a mention from a columnist in the Plain Dealer. Meanwhile, Lance Mannion points out that most of the obituaries for Borders omit certain crucial facts concerning the cause of death.

It may be too late for Borders, but it’s just the right time to get a copy of Joe’s book. I’m just sayin’. It makes a nice palette cleanser after chowing down on the latest George R. R. Martin.

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The future of publishing — maybe

Andrew Sullivan thinks he has seen the future of publishing, and it’s print on demand:

My own view is that the publishing industry deserves to die in its current state. It never made economic sense to me; there are no real editors of books any more; the distribution network is archaic; the technology of publishing pathetic; and the rewards to authors largely impenetrable. I still have no idea what my occasional royalty statements mean: they are designed to be incomprehensible, to keep the authors in the dark, to maintain an Oz-like mystery where none is required.

The future is obviously print-on-demand, and writers in the future will make their names first on the web. With e-distribution and e-books, writers will soon be able to put this incompetent and often philistine racket behind us. It couldn’t happen too soon.

Joseph Zitt, meanwhile, is preparing to go the print-on-demand route with his new nonfiction book, 19th Nervous Breakdown:

Of course, I know that going with the print-on-demand non-returnable method in the first place cuts my odds on being carried in most stores down to just about nil. The current state of the book economy, however, makes bookstore distribution unaffordable to all but the largest publishers, and even they are starting to rethink it. (Harper Studio’s recent deal with Borders is a sign that een they are rethinking it.)

It is, however, essential to have the books available in online stores or to order, which means going through a house that has distribution through Ingram or B&T. So going through something like Lulu.com’s Published By You program is what it takes. And that has odd limitations on the book formats (the fault, they claim, of the printers that they use).

Full disclosure: I’ve known Joe for decades, and he asked me to contribute a blurb for 19th Nervous Breakdown, which I was happy to do — as those of us who’ve been following his blog already know, he’s an excellent writer with a unique perspective. To a certain extent he has, as Sullivan suggests, “made his name on the Web.” I would also point to John Scalzi as a model for writers using the Internet to establish their literary reputations. He’s even a big enough draw on the Internet to issue a volume of posts culled from his blog Whatever, issued by the boutique Subterranean Press.

The biggest difference is that Scalzi is a science fiction writer, and SF enjoys a well organized and durable fan base that makes it easier to get the word out. Self-published books have been around a long time, but the successful ones are usually titles with a guaranteed speciality angle: inspirational books like The Celestine Prophecy or business advice titles. Writers of general-interest nonfiction or literary fiction who opt to self-publish are still considered vanity-press clowns unable to make headway with real publishers. If self-publishing is, as Andrew Sullivan suggests, the wave of the future, the wave will only begin to crest when mainstream, established writers with good reputations decide to issue POD titles.

Hmmmmm . . .  I wonder what Andrew Sullivan plans to do for his next book? Or is the future only for other people?

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Friday finds

Dances With Mermaids has been playing her favorite songs from the Lord of the Rings films in preparation for our usual Christmas season marathon viewing — the story is, after all, a pre-Christmas Christmas story. And as “Gollum’s Song” was playing the living room, I came across this piece about why Guillermo del Toro is the perfect choice to direct The Hobbit and Hobbit 2: Electric Boogaloo. I never doubted it for a moment: Pan’s Labyrinth (above) and The Devil’s Backbone show del Toro has no peer as a creator of dark fantasy, and his tough-mindedness will be needed to trim the twee from Tolkien’s book. And I can’t wait to see what the mind that conceived the Pale Man is going to do with Smaug.

Between this book and this book, Charles Dickens is having quite a year.

It appears that all those aspiring authors who thought their good writing would be enough to land them publishing contracts should have been posting YouTube clips instead. It was a pretty nice clip, though, I have to admit.

Life imitates Withnail and I. For that matter, so does Wayne’s World 2.

Finally, someone has taken a fresh look at one of the most famous murder cases in history.

While I’ve been working through my list of Approved Authors for 2008, Madame Mayo has posted her favorite reads for the year. She’s got a book of her own coming out this spring.

BlogBud Joseph Z. is preparing to issue a collection of the best posts from his site. More on this as it developes: meanwhile, here he is reading one of his poems. He admits to using haftarah cantillation instead of the trop for Torah reading, but I think we can cut him some slack this time.

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