Tag Archives: Saul Bass

Friday finds

My homies find the perfect way to tell Anders Breivik to go fuck himself.

A new translation of Theodor Fontane, with great pictures of Stirling Castle.

The list of the covers of the e-books of the knockoffs of The Girl With the Dragon Tattoo.

Saul Bass was a genius. What, you don’t believe me? How about some more examples?

Ward-heeling with incense.” Genius. Just genius.

Racing stats? Racing stats?

Douglas Trumbull, the visual effects pioneer behind Blade Runner and 2001: A Space Odyssey, talks about the cinema of the future. What will it be like to watch The Hobbit in its higher-resolution version?

I left my hardanger in San Francisco.

Tales from a radio obsessive.

Mining the sky — a few links, a few thoughts.

Want a free Monster? Of course you do. And here it is.

“I defy any writer to move to Paris and not be posing like Hemingway in a café within the first few months. I had that kind of Lost Generation love when I first moved to Paris. Actually, I wrote about this in an essay for the Huffington Post years ago, about the way that hanging out in cafés and pretending to be a writer like Hemingway actually did make me a writer. I wouldn’t necessarily have self-identified as a writer before I studied abroad in Paris. I was more of a reader than a writer. But I guess if you pretend to do something for a while, you realize that, oh, wow, that was just a way to do get to something that I guess I secretly wanted to do.”

That is one deserted highway.

Having fun with a feeb.

Don’t steal art.

Is watching this video really worth three minutes of your life? Once you know, it will be too late.

“Eric Danville, author of The Complete Linda Lovelace, and a technical adviser on the Amanda Seyfried film, once asked Lovelace: ‘Why did you join up with feminists trying to ban porn instead of feminists trying to fight domestic abuse?’ Lovelace’s response? ‘The people fighting domestic abuse never approached me. Catherine [MacKinnon] was the first person to really approach me’ says much about how she led her life. Dance with the one that brought you.”

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Friday finds

In which the pioneering rapper talks up a Los Angeles architectural landmark. Learn more about the Eames House here. Some of Ice Cube’s best raps here, here, here, and here. NSFW, unless you work at Death Row Records.

You know you want to hear Flannery O’Connor reading “A Good Man Is Hard to Find.” So what are you waiting for?

Ace thriller writer J.D. Rhoades talks about why he decided to go indie and start publishing new books (and out-of-print backlist titles) as e-books.  His new one, Gallows Pole, will scare the snot out of you.

Madam Mayo, author of The Last Prince of the Mexican Empire, interviews Solveig Eggerz, author of Seal Woman.

When you’re introduced to a fencer, don’t do the squiggly arm thing. Just don’t.

In which Frederik Pohl reminisces about the Battle of the Douchebag, the Battle of the 4-Color Border, and the night spent with Harlan Ellison on Long John Nebel’s talk show.

From Psycho to Casino, from The Man with the Golden Arm to Anatomy of a Murder, it’s a tribute to the title sequences directed by Saul Bass.

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Oscar and Saul

vertigo

Still haven’t seen the Best Picture nominees, so my level of Oscar-interest is just about zero. Sorry about that.  If this roundup from Dennis doesn’t get you in the mood, try this dazzling Web site devoted to the work of Saul Bass, whose ingeniously designed title sequences for (among others) Vertigo, The Man with the Golden Arm and Casino are significant contributions to each film’s impact.

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